- SET KEY VELOCITY IN GARRITAN INSTANT ORCHESTRA HOW TO
- SET KEY VELOCITY IN GARRITAN INSTANT ORCHESTRA MOD
- SET KEY VELOCITY IN GARRITAN INSTANT ORCHESTRA PATCH
GIO's 'Mixtures' folder contains the building blocks from which the above-mentioned Blended Textures patches are constructed. A convolution reverb effect with 10 user-configurable presets is also available on a separate page. GIO's 'Controls' page offers three-way parametric EQ, a stereo 'Stage' effect and MIDI-controlled settings for ADSR, filter settings, vibrato rate/amount, and so on. While these sounds effectively capture the mood of a real orchestra, you can also use them in a more abstract, synthesizer-like way: for example, flutes slowly mutating into oboes or muted sordino strings dissolving into a big, warm, enveloping cathedral choir may not be sonorities you'd experience in a Beethoven symphony, but they're certainly interesting and creative sound sources for contemporary arranging and sound design.
SET KEY VELOCITY IN GARRITAN INSTANT ORCHESTRA PATCH
There's no such criticism of 'Clarinets - Silvery Winds', in which an austere, vibrato-free clarinet patch can be subtly crossfaded with a luscious flute ensemble, a beautiful texture for accompanying a lead line.
SET KEY VELOCITY IN GARRITAN INSTANT ORCHESTRA MOD
When you push up the mod wheel, the harpsichord is replaced by a harp, a neat trick only slightly subverted by the harp being an octave higher than the strings (personally, I'd have preferred unison). Since it's the first to appear in the alphabetical list, the 'Baroquestra - Harpestra' patch is likely to get a lot of use - which is no bad thing, as it's a very agreeable layering of harpsichord and strings which combines the two principal qualities all keyboardists seek: a strong attack and a satisfyingly rich sustain. Such versatile combinations can add colour and tonal movement to arrangements with very little effort on the part of the user. A similarly dramatic transformation occurs in 'Delicate Orchestra - Ethereal', where a choir (singing the immortal lyric of 'ah') can be floated in over a blend of soft strings and woodwinds. The beauty of it is that, rather than you having to load a complicated setup to achieve this, all the action occurs within a single patch.Ī good example is 'Complete Orchestration': this starts off as a quiet, woodwind-dominated timbre and opens up into a big, heroic, Hollywood-esque strings-and-horns soundscape when you push up the mod wheel. The most complex of them are found in the Blending Textures folder: these cleverly programmed confections contain multiple layers which can be crossfaded with the mod wheel or expression pedal, allowing you to switch or fade from one sound to another. And though its patch menu lists familiar categories such as strings, brass, wind, choir, and so on (more of which later), what differentiates it from conventional libraries are patches that mix and blend instruments from different families. Rather than using solo instruments for ensemble building, as in GPO, Garritan Instant Orchestra contains pre-packaged combinations of instruments. In the words of its creator, "Instant Orchestra is about producing orchestral music instantly and easily.” Can such a complex and demanding task really be so simple? Let's find out. The resulting 1.87GB collection (which, like its predecessor, runs exclusively on the ARIA sound engine) is called Garritan Instant Orchestra, the title reflecting the short-attention-span, I-want-it-now world we live in. All in all, several orchestras and hundreds of players were involved. The samples for the new library were recorded over a long period in a variety of locations: in the Czech Republic with the Moravian Philharmonic Orchestra, and in New York and Seattle with US musicians. You can read the Sound On Sound review of GPO4/ARIA at /sos/jun10/articles/personalorchestra4.htm.Įncouraged by the popularity of his eponymous creation, Gary Garritan decided to make a sequel. In 2009, a fourth revision, GPO4, made users' lives even easier by porting the formerly Kontakt-formatted samples over to the simple-to-use ARIA sound engine (designed by the French company Plogue). Personal Orchestra's selling points were (and are) its low price, logical approach and thoroughly comprehensive instrumentation.
SET KEY VELOCITY IN GARRITAN INSTANT ORCHESTRA HOW TO
Because of the library's small RAM footprint, large setups like this will load in less than 10 seconds!īack in 2004, Garritan Personal Orchestra enabled impecunious musicians to engage in the noble art of orchestral writing without having to take out a second mortgage to buy the samples, or attain a master's degree in computer science to work out how to use them. The ARIA player's main screen, showing a 16-way, fully multitimbral setup of instruments from Garritan Instant Orchestra. Instant Orchestra aims to take the pain out of creating orchestral parts - but can such an affordable library still produce the goods?
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